Showing posts with label film. Show all posts
Showing posts with label film. Show all posts
Wednesday, February 08, 2023
Anthony Hopkins On Acting
Labels:
acting,
actor interview,
anthony hopkins,
film,
film history,
performance
Friday, May 08, 2020
Lecture By Director Chris Buck: Making Disney's Frozen
Randy Haycock animation tests
Also check out:
// THR - Full Animator Oscar Roundtable Interview
Chris Buck (co-director of Frozen), Dan Scanlon (director of Monsters University), Chris Wedge (director of Epic), Kristine Belson (producer of The Croods), and Chris Meledandri (Illumination CEO and a producer of Despicable Me 2)
Labels:
2d,
animation,
behind the scenes,
chris buck,
directing,
disney,
film,
fozen,
lecture,
making of
Friday, December 06, 2019
E.T. Returns: The Making Of “A Holiday Reunion”
Labels:
animation,
character,
commercials,
film,
filmmaking,
legacy effects,
model making,
puppet
Monday, October 21, 2019
Ridley Scott on How He Got Into Directing
Labels:
cinema,
directing,
film,
filmschool,
foundation,
history,
Ridley Scott
Saturday, May 11, 2019
Harold and Lillian: A Hollywood Love Story
Finally had a chance to see Harold and Lillian: A Hollywood Love Story. Such a fantastic film! Highly recommend it!
'Storyboard artist Harold Michelson and his film researcher wife, Lillian, recall the influence they had on 60 years of Hollywood's biggest hits.'
Labels:
film,
filmmaking,
history,
staging,
story,
storyboarding
Monday, October 03, 2016
Seven Samurai: Drama Through Action
Labels:
directing,
film,
filmmaking,
screen writing,
story,
storytelling
Monday, June 20, 2016
Saturday, May 14, 2016
Inside Robocop: Interview With Screenwriter Michael Miner
Labels:
directing,
film,
film history,
michael miner,
robocop,
screenwriting,
story,
writing
Thursday, May 12, 2016
The 80 Best-Directed Films According to the Directors Guild of America
To commemorate the DGA's 80th anniversary this year, members decided to put together a list of the '80 greatest directorial achievements in feature films since the Guild’s founding in 1936.' How many have you seen? Thanks to @vrenee_nfs over on No Film School for the heads up!
The 80 Best-Directed Films
- The Godfather (Francis Ford Coppola, 1972)
- Citizen Kane (Orson Welles, 1941)
- Lawrence of Arabia (David Lean, 1962)
- 2001: A Space Odyssey (Stanley Kubrick, 1968)
- Casablanca (Michael Curtiz, 1942)
- The Godfather: Part II (Francis Ford Coppola, 1974)
- Apocalypse Now (Francis Ford Coppola, 1979)
- Schindler’s List (Steven Spielberg, 1993)
- Gone With the Wind (Victor Fleming, 1939)
- Goodfellas (Martin Scorsese, 1990)
- Chinatown (Roman Polanski, 1974)
- The Wizard of Oz (Victor Fleming, 1939)
- Raging Bull (Martin Scorsese, 1980)
- Jaws (Steven Spielberg, 1975)
- It’s a Wonderful Life (Frank Capra, 1946)
- Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
- The Shawshank Redemption (Frank Darabont, 1994)
- The Graduate (Mike Nichols, 1967)
- Star Wars: Episode IV — A New Hope (George Lucas, 1977)
- Blade Runner (Ridley Scott, 1982)
- On the Waterfront (Elia Kazan, 1954)
- Pulp Fiction (Quentin Tarantino, 1994)
- E.T. The Extra-Terrestrial (Steven Spielberg, 1982)
- Annie Hall (Woody Allen, 1977)
- Saving Private Ryan (Steven Spielberg, 1998)
- Seven Samurai (Akira Kurosawa, 1954)
- A Clockwork Orange (Stanley Kubrick, 1971)
- Raiders of the Lost Ark (Steven Spielberg, 1981)
- Vertigo (Alfred Hitchcock, 1958)
- Sunset Boulevard (Billy Wilder, 1950)
- To Kill A Mockingbird (Robert Mulligan, 1962)
- Psycho (Alfred Hitchcock, 1960)
- The Searchers (John Ford, 1956)
- Forrest Gump (Robert Zemeckis, 1994)
- Singin’ in the Rain (Stanley Donen, Gene Kelly, 1952)
- 8 ½ (Federico Fellini, 1963)
- The Third Man (Carol Reed, 1949)
- The Best Years of Our Lives (William Wyler, 1946)
- Rear Window (Alfred Hitchcock, 1954)
- The Bridge on the River Kwai (David Lean, 1957)
- North by Northwest (Alfred Hitchcock, 1959)
- One Flew Over the Cuckoo’s Nest (MiloÅ¡ Forman, 1975)
- The Sound of Music (Robert Wise, 1965)
- Taxi Driver (Martin Scorsese, 1976)
- Titanic (James Cameron, 1997)
- The Shining (Stanley Kubrick, 1980)
- Amadeus (Miloš Forman, 1984)
- Doctor Zhivago (David Lean, 1965)
- West Side Story (Jerome Robbins, Robert Wise, 1961)
- Some Like it Hot (Billy Wilder, 1959)
- Ben-Hur (William Wyler, 1959)
- Fargo (Ethan Coen, Joel Coen, 1996)
- The Silence of the Lambs (Jonathan Demme, 1991)
- The Apartment (Billy Wilder, 1960)
- Avatar (James Cameron, 2009)
- The Hurt Locker (Kathryn Bigelow, 2008)
- The Treasure of the Sierra Madre (John Huston, 1948)
- Birdman or (The Unexpected Virtue of Ignorance) (Alejandro G. Iñárritu, 2014)
- All About Eve (Joseph L. Mankiewicz, 1950)
- The Deer Hunter (Michael Cimino, 1978)
- There Will Be Blood (Paul Thomas Anderson, 2007)
- The Sting (George Roy Hill, 1973)
- The Wild Bunch (Sam Peckinpah, 1969)
- Alien (Ridley Scott, 1979)
- Rocky (John G. Avildsen, 1976)
- The Conformist (Bernardo Bertolucci, 1970)
- Gandhi (Richard Attenborough, 1982)
- The Bicycle Thief (Vittorio De Sica, 1948)
- Cinema Paradiso (Giuseppe Tornatore, 1988)
- Brazil (Terry Gilliam, 1985)
- The Grapes of Wrath (John Ford, 1940)
- All the President’s Men (Alan J. Pakula, 1976)
- Barry Lyndon (Stanley Kubrick, 1975)
- Touch of Evil (Orson Welles, 1958)
- Once Upon a Time in America (Sergio Leone, 1984)
- Unforgiven (Clint Eastwood, 1992)
- The Usual Suspects (Bryan Singer, 1995)
- Network (Sidney Lumet, 1976)
- Rashomon (Akira Kurosawa, 1950)
- Once Upon a Time in the West (Sergio Leone, 1968)
Labels:
cinema,
directing,
film,
film history,
filmmaking,
no film school,
story
Tuesday, March 29, 2016
What Long Takes Can't Do
The emerging entertainment realm of virtual reality can take a lesson from the challenges mentioned in this vid. It will be interesting to see how storytelling in VR evolves and overcomes the editing obstacles.
Also, check these out:
// The Spielberg Oner
// 12 Best Long Takes in Film History
Labels:
camera,
cinematography,
editing,
film,
filmmaking,
hitchcock,
long take,
staging,
story
Thursday, February 11, 2016
Interview with Visual Effects Supervisor and Director Mark Dippé
Labels:
animation,
film,
filmmaking,
history,
Mark Dippé,
spawn,
vfx history
Tuesday, January 19, 2016
Peter O'Toole Documentary
Labels:
acting,
character,
cinema,
documentary,
film,
filmmaking,
peter o'toole
Monday, January 11, 2016
Profiles by VICE: Phil Tippett
Labels:
animation,
film,
history,
ILM,
jurassic park,
Phil Tippett,
stopmotion,
tippett,
vfx
Saturday, January 31, 2015
Monday, December 29, 2014
Monday, December 15, 2014
The Full Director Roundtable: Angelina Jolie, Christopher Nolan & Richard Linklater (2014)
Wednesday, October 22, 2014
Massive Gallery of Vehicle Models Build by ILM for Star Wars Trilogy (1977-1983)
140 up-close photos of ship and vehicle models constructed by ILM for the Original Star Wars Trilogy (1977-1983)
Labels:
film,
film history,
george lucas,
ILM,
model shop,
models,
star wars,
vfx,
vfx history
Tuesday, October 14, 2014
The Silence of the Lambs: Who Wins the Scene?
Here's a solid shot by shot breakdown by Tony Zhou (Every Frame A Painting) of a scene from The Silence of the Lambs. An amazing amount thought, planning and staging went into this scene where Jodie Foster and Anthony Hopkins' characters meet for the first time. This is a great example of how important cinematography is to enhancing emotion and telling the story. Brilliant! Thanks to Tony for posting it!
Also check out:
// The Silence of the Lambs: The Inside Story
Thursday, September 18, 2014
Editor Michael Kahn - Sight, Sound & Story
Michael Kahn, ACE Discusses the Most Difficult Scene to Cut from "Raiders of the Lost Ark."
Techniques Used in the Opening Scene of "Saving Private Ryan.”
Use of Slower Cuts in a Scene from "Jurassic Park."
When There Was Too Much Coverage on "Close Encounters of the Third Kind."
Industry Legends: editor Michael Kahn Full Interview
Also check out this great documentary
// The Cutting Edge: The Magic of Movie Editing (2004)
Labels:
editing,
film,
michael kahn,
story,
the cutting edge
Look Inside Reel FX and ‘The Book of Life’
Labels:
animation,
Augusto Schillaci,
book of life,
film,
Jorge R. Gutierrez,
Paul Sullivan,
reel fx
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