I just read a great article about the shooting and technical direction of "There Will Be Blood" over on a website called digitalcontentproducer.com. The piece explains a lot about the classic lighting approach of the film and dips into the "film vs. digital" debate. Paul Thomas Anderson directed the film and wanted vfx to be "invisible" but at the same support story. I wish more Hollywood directors had the ability to think this way. Anyhow, you can check the article out for yourself after the jump.
Old-Fashioned Filmmaking
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